To tighten each sentence, search for redundant words where the meaning could be clearly expressed with a single word. Most writers know to eliminate doublets and triplets, but overlook other redundancies in:

• word pairs or groups where the meaning of a word implies or includes its modifier
• word pairs or groups where the specific word implies the general category
• throw-away phrases that describe the writer’s intentions, give directions to the reader, or describe the structure of the text

It’s common writing advice: Avoid redundancies. Redundant writing dilutes our message, kills subtlety, and wastes space and time. The words you waste with redundant language could be better used for examples to support your ideas or details that drive your point home and make it memorable. But redundancies are hard to spot without thinking deeply about every word in every sentence.

Everyone remembers their high school English teachers admonishing them against using the dreaded passive voice. According to composition class lore, using passive voice was the chief writing sin—and avoiding it was the key to strengthening writing. If true, then two questions remain:

1. What is passive voice, anyway? (Don’t worry: Even the most pedantic folks can get it wrong!)
2. How do we re-write sentences to avoid passive voice? (What good is pointing out a writing ill without offering a writing cure?)

In this blog post, we’ll give you a refresher on passive voice, show you how to fix it, and explain the four times when passive voice is acceptable in your writing.

Writers slow down their sentences with unnecessary words that delay the point. They may do this because middle school English teachers told them to use transitions; they read great 19th century writers renowned for languid and balanced sentences; or they’re trying to sound sophisticated by relying on industry clichés. Your readers won’t care why you write as you do—they will only care that they must read it. So do them a favor and cut the clutter.

Writing in active voice is often cited as a core part of plain language. Though the idea seems simple, it becomes confusing when you see phrases like active voice and active verbs used interchangeably. In this article, we’ll clarify the difference and help you choose the right voice to communicate your ideas. The better your understanding of language, the better you’ll communicate with your audience—and that’s the goal of plain language!

Writing in plain language helps you communicate with your audience. If that’s not enough incentive to write clearly and organize information logically, then consider this: Professionals throughout the United States and around the world are required to write in plain language.

Nonprofit organizations and universities usually rely on two main sources of funding: public grants and private donations. Public grants usually draw straightforward proposals. Usually, the grantor issues an RFP or other notice of funding that includes instructions about what information they want, and sometimes, what format the information should be in. Private donations are harder to apply for because they lack a formalized process.

No matter how many times you’ve done it, writing a proposal is always a little nerve-wracking. Whether you're applying for grant funding or pursuing professional services contracts, pressure to distinguish your organization from the competition and show your expertise is high.

For our final installment on The Perfect Brief, we offer a list you can quickly peruse to ensure you have checked all of the elements in your brief to make it the most convincing document you can put before a judge.

A polished document encourages a generous reading, so review to correct mistakes, shorten the brief, and generally make the judge’s job easier. Below are several ideas to ensure that what we send to the court is our best work and enhances our reputation with the judge.