When I describe the distance between my apartment and WordRake’s office as “walkable,” people usually envision a fifteen- or twenty-minute walk. My next line is that my commute is an hour and just under four miles.
Upon learning how I define “walkable,” people usually ask me what I do on my walks. Explaining that I silence my phone and don’t listen to music confuses them even more. If I’m not sure I’ve completely convinced them I’m strange, I tell them I like walking to work because it’s a great time to write, and that’s sure to throw them.
But renowned writers support my walking habit. Annie Dillard won a Pulitzer for Pilgrim at Tinker Creek, in which she considers life’s nuances while walking near her home in suburban Virginia. According to The Atlantic, she began Pilgrim at Tinker Creek on a neighborhood walk with her husband’s former student:
“On the walk I thought, God there’s a lot of neat stuff out here, and after that, I started taking those walks all the time,” [Annie] told [The Atlantic]. “I was fascinated because it was just a stupid little suburban neighborhood, but animals don’t care. They don’t care a bit.”
Everyone’s commute time and method vary, but we can source inspiration from any commute. The people, plants, animals, even structures we pass afford many opportunities to observe the world and consider our places in it. Cities and remote areas both teem with life interacting. While traveling home today, write down five of your observations. The small details—and why you noticed them—might surprise you. Those details lead to more effective writing, because clear imagery carefully selected allows readers to participate in what we hope to convey. In Seattle, people and nature give me a lot to process and describe. In the past month, I saw a man hoist a bicycle into a tree decorated with caution tape in what I can only assume was a commentary on Seattle’s bicyclists, and watched a harbor seal bob close to the shore: two events memorable for very different reasons, and both have found their way into stories I tell.
To write well, we need distance. Just as we physically remove ourselves from our workspace when we commute home, so too do we remove ourselves from our work. All commutes are conducive to processing ideas and distancing us from our work; and that is crucial to writing effectively.
Writing isn’t just putting words on a page. Everyone plans and plots differently, but we all need to generate ideas. Although I enjoy writing, I rarely feel inspired to sit and type for hours. This is especially true when I am writing early drafts. After my editor and I chose this topic, I tried to prompt ideas by going on a walk. The same was true the next day, when I delayed sending this piece to him so I could walk another 3.7 miles before facing my laptop. That walk led me to restructure this piece, as long walks have for several other pieces on WordRake’s blog. Being physically away from my work allows me to process and return more objective, which is critical to ensuring my writing flows well and interests readers. And after my thoughts begin to flow, I bring in WordRake to help me see the dull and unnecessary words I can remove to express my thoughts more clearly. If I didn’t use WordRake every day myself, I wouldn’t suggest you do. Because writing’s hard, it’s nice to have a collaborator. Try it free for seven days here.
About the Author
Caroline Engle is WordRake’s Marketing Communications Specialist. She convinced WordRake to hire her as an intern after placing in editing competitions and writing a novel in a month. When she isn’t editing or writing copy, coordinating conference logistics, or helping improve WordRake’s functionality, she’s reading, going on ten-mile walks, or looking up flight prices. Connect with her on LinkedIn here.